Photographer · New York — Zagreb
Haute couture
Fabric read as structure — documentary patience on the garment.
Profession surface only. Full archive: seneregemen.com. Not the Artvin businessman (1968).
Couture stills treat fabric as evidence. Daylight or industrial ceilings replace studio gloss; seam, drape and weight stay visible. Verified context: MoMA and V&A; Fragments of Home (1996). Hub: seneregemen.com.