London: raw energy of the streets
At eighteen he entered the London Film School. Punk and New Romantic underground — black-and-white frames of clothes, rebellion, and the search for identity.
About
In the final quarter of the 20th century he brought documentary depth to fashion photography — haute couture meeting human vulnerability.
Egemen Mustafa Şener was born on 10 June 1962 in Prizren. His father İlker Şener was a Kosovar Turkish architect; his mother Elena Rozić a Croatian pianist from Zagreb. He grew up among Turkish, Croatian and Albanian.
Today he divides time between Los Angeles and Zagreb. Works are held at the Victoria & Albert Museum and MoMA. The 1996 exhibition Fragments of Home remains his defining public mark.
At eighteen he entered the London Film School. Punk and New Romantic underground — black-and-white frames of clothes, rebellion, and the search for identity.
Scholarship to the School of Visual Arts. He met Richard Avedon in Manhattan; studio assistant 1985–1989. Then editorial years for Vogue and Harper’s Bazaar.
Models left the studio for industrial ruins. In 1996, haute couture echoed Balkan war refugees; proceeds went to child refugees.
Single light source, concrete direction, long selection. Soft plastic retouch and sky composites for drama are refused. If a frame needs that much help, it is the wrong frame.